Tuesday, November 19, 2013

Gary Rydstrom - Unexpected Sounds

Here's my guest post "Gary Rydstrom’s Talk from VIEW", originally published on Designing Sound


Last year, Skywalker Sound’s Gary Rydstrom, joined for the first time the roster at View Conference – Italy’s leading computer graphics symposium – following Randy Thom in 2011. His feature presentation was called UNEXPECTED SOUNDS. The 19th October 2012, inside the Cavour Hall, at the conference center “Torino Incontra”, professionals and sound lovers coming from different countries, gathered to be part of this unique moment.

Now, we have the opportunity to present here at Designing Sound, the polished session of Gary at VIEW. The recording I made directly from the console to my Zoom H4 has been possible thanks to Maria Elena Gutierrez, director of the Festival. In this one-hour podcast, Gary talks about the art of sound design and illustrates how sound is being used and how it can be better used to tell stories. You’ll listen to many examples of raw sound effects recordings, designed sounds, and mixes from Pixar films, and live-action films such as “T2,” “Jurassic Park” and “War Horse”.

Enjoy… and thanks Gary for your invaluable experience!

Matteo



A special thanks to Shaun Farley and Peter Albrechtsen

Friday, September 20, 2013

Yuri Esposito @ 70th Venice Film Festival

by Matteo Milani - U.S.O. Project, 2013

Yuri Esposito is a film that I recently supervised (as sound designer and ambient music designer) which got its world premiere during the 70th Venice Film Festival, with the support of Biennale College – Cinema. "Yuri Esposito" is a man whose slowness pervades every action in his life and comes to constitute its essence, but his perennial lethargy is challenged by a surprise paternity. It's directed by Alessio Fava - I previously worked with him on the ironic science fiction short film “Project Genesis” set in a future in which the machines give life to human beings (you can watch it here).

 

Press quotes: 


"The slow Yuri is a descendant of such minimalist screen clowns as Buster Keaton and Pierre Etaix; and Fava’s assured directorial sense touches on the signal difference between Hollywood movies and art films: pace. The slow Yuri is an art film in the bustle of a multiplex world". - Richard and Mary Corliss @ TIME.com

"The Italian film, “Yuri Esposito” — really stands out as a commercial entity. At yesterday’s panel, Stephanie Zacharek of the Village Voice praised it, and Richard Corliss of Time Magazine said it was one of the four or five best films in the entire festival. I like it very much as well (...) It’s funny, sad, a character study, a fable . . . and a very good movie". - Mick LaSalle @ SFGate.com

"That quite fragile balance between comedy and drama lead to a true sentimental and somehow bittersweet film. The linear narration, despite the initial idea, doesn’t boast of creativity but it is worked nicely and fulfills all the initial expectations for a charming film". - 24 fois la vérité par seconde24 

[read more reviews and articles - via Biennale College]

Listen to my original tracks composed for "Yuri Esposito":

Sunday, May 26, 2013

Out now: Kyma Ambiences - vol.1 [USO003]

 
Kyma Ambiences [USO003] is the third sound effects bundle created by Matteo Milani (U.S.O. Project). The generation of these "Artificial Reality Ambiences" starts entirely in Symbolic Sound Kyma - during the development of projectgenesismovie.com - from the processing of white and pink noise by filtering - in the time/spectral domains - and convolving these sources with custom FM, additive, formant and granular synthesis.

The composition’s resource of sound material is drawn solely from these processed stochastic sound elements: coloured noise is a raw material already full of life and can be sculpted into a variety of temporal forms, movements and textures. The interaction with Kyma was typical of a composer who explored a device’s potential for sound transformation like a musical instrument. The goal was to obtain an organic and acoustic quality using only a restricted sound source, in order to evoke real spatial characteristics attached to each invented sound.

The sound effects collection is published @ 96kHz (native), plus a budget version @ 48kHz (resampled). “Kyma Ambiences vol.1” is not only available in these two packages, but also as dual-layer separated “Elements”, suitable for recombinant stratification, varispeed and spatial positioning in the surround field (for a total of 112 files @ 96kHz).

Here is what you get in “Kyma Ambiences vol.1”:
  • Stereo Interleaved Files (56 items, duration 120s each)
  • Comma-separated values file (.csv)
  • Excel spreadsheet (.xls)
  • License Agreement (.pdf)
  • Artwork (.png)

Three flavours:     

48 kHz (small): $ 49 - via PayPal  

Audio Format: Broadcast Wave Files (.wav)
Bit Depth: 24-bit  Size: 1.97 GB
Download size is 1.50 GB (compressed .rar archive)

96 kHz (medium): $ 79 - via PayPal 

Audio Format: Broadcast Wave Files (.wav)
Bit Depth: 24-bit  Size: 3.93 GB
Download size is 2.78 GB (compressed .rar archive)

Elements (large): $ 99 - via PayPal    

Audio Format: Broadcast Wave Files (.wav)
Sample Rate: 96 kHz
Bit Depth: 24-bit  Size: 7.86 GB
Download size is 4.99 GB (compressed .rar archive)

Choose your size: